Julien Chavaillaz 2023
︎︎︎ I am a sound artist,
producer and dj
based in Bern, Switzerland.
︎︎︎ I am a sound artist,
producer and dj
based in Bern, Switzerland.
I love to build soundscapes and spaces, conceptualize and put together some audio/visual installations, and connect (with) different mediums and people.
Hello there,
my name is Noria Lilt
I aim to mix and experiment on merging :
sounds, textures, genres, arts, mediums, ideas, and sometimes humans.
I perform live and DJ sets, produce, sing, and compose, sometimes for myself, mostly for others, mostly on my
own, but sometimes with others.
© Kevin Christinat | Electrosanne About︎︎︎
Noria Lilt (*1994, Fribourg, Switzerland) has been immersed in a musical and cultural environment since her earliest years. Growing up in a musician family and initially trained as a multimedia designer, she later pursued her passion for sound, graduating with a Bachelor of Sound Arts from the Bern University of the Arts (HKB) in 2021.
Deeply influenced by bass music, ambient, and the rich textures of UK trip-hop, Noria Lilt crafts sonic landscapes where raw energy meets intricate detail. Her music thrives on contrast—delicate, melancholic harmonies intertwining with deep basslines, fragmented textures melting into organic grooves.
She moves fluidly between club sound and more introspective compositions while shaping her productions with a cinematic, tactile sensibility. Sculpting sound with a keen ear for the unexpected, her creative process is guided by an obsession with movements and immersion. Rooted in acousmatic and experimental approaches, her work bridges the intensity of electronic music with the warmth of live instrumentation, jazz-infused harmonies, and ethereal atmospheres, crafting deeply expressive and sensory experiences.
TRNSTN RADIO co-founder, In Transformation (fka Kapitel Bollwerk) resident DJ, Helvetiarockt coach, SMEM ex-coordinator/co-curator: she is an important figure and an active member of Switzerland's cultural, nightlife, and musical scenes. In all her facets, she presents powerful messages in a captivating hybrid universe.
© Mariano Paredes
Compilation
GTVA01
Noria Lilt - Your Lies is Not the Point
︎︎︎ Ghosttown
︎︎︎︎ here to stream soon
︎︎︎︎︎ here to buy soon
DATE
May 16, 2025
MASTER
_
CURATION
-
VISUALS/ARTWORKS
Laetitia Schwendi
DISTRIBUTION
Ablette Records
Compilation
Tai.no.a II VA [TAI.NO.A002]
Noria Lilt — Shadows Left
︎︎︎ Tsunami Recordings
︎︎︎︎ stream
︎︎︎︎︎ buy
DATE
June 28, 2024
MASTER
Benoît D. Perception Mastering
ARTWORK
-
Compilation
VA Make Some Room
Noria Lilt — Eternal Expansion
︎︎︎ Club Culture CH
︎︎︎︎ stream
︎︎︎︎︎ buy
DATE
April 17, 2020
ARTWORK
Martin Cramatte
Compilation
Musik for Funiculaire
Noria Lilt — So Many Steps Noria Lilt — Race or Pace
︎︎︎ Rababoo Records
︎︎︎︎ stream
︎︎︎︎︎ buy
DATE
October 9, 2024
MASTER
VFBM
CURATION
État Des Choses &
Rababoo Records
VISUALS/ARTWORKS
Laetitia Schwendi
DISTRIBUTION
Ablette Records
Compilation
VA HKT01
Noria Lilt — Undulating Blooms
︎︎︎ Hektar
︎︎︎︎ stream
︎︎︎︎︎ buy
DATE
July 30, 2021
Compilation
CRTTR-CLB-004
Noria Lilt — Waving Flags
︎︎︎ CRTTR
︎︎︎︎ stream
︎︎︎︎︎ buy
DATE
September 27, 2024
MASTER
Yves Spiri
ARTWORK
Julia Häller
Remix Compilation
Septentrio — Hardcore Continuum
Noria Lilt REMIX
︎︎︎ strecke records
︎︎︎︎ stream
︎︎︎︎︎ buy
DATE
July 1, 2020
MASTER
Fels
ARTWORK
Camille Lepage
GRAPHIC
Thibault Villard
︎︎︎ Works
︎︎︎ Discorde
multichannel
semi-interactif
audiovisual
installation
January 18, 2020
Hochschule der Künste, Bern
INSTALLATION CONCEPT & SOUND COMPOSITION
Noria Lilt
IMAGE CONCEPT. VIDEO RECORDINGS & FX
Joana Huguenin
DANCERS
Julia De Martino, Simon Crettol, Hervé Scherwey
PICTURES
Stefan Wermuth
DISCORD is oneiric but disturbingly framing behaviors violating private spheres and safe spaces. Inspired by numerous experiences and testimonies on and from the dancefloor, this installation questions proximity and its discomfort. It denunciates all harassing and invading acts, transgressing the limits of respect and consent, verbally and physically.
This semi-interactive audiovisual installation has been created for 6 speakers, a big vertical mesh screen, and some distance and movement sensors.
This semi-interactive audiovisual installation has been created for 6 speakers, a big vertical mesh screen, and some distance and movement sensors.
︎︎︎ Incarnation
electronic orison
dance
theater
music
February 17-20, 2022
Museum of Art
and History, Fribourg
CHOREOGRAPHY & DANCE
Nicole Morel
TEXTS&THEATER
Joséphine de Weck
MUSIC
Fiona Rody
DRAMATURGY
Ulrike von Fassmann
SOUND ENGINEERING
Frank Bongni
LIGHT & SCENOGRAPHY
Mario Torchio
COSTUMES
Sefia Semlali
ADMINISTRATION
Juan Diaz
PRODUCTION
Antipode Danse Tanz
PICTURES
Nicolas Brodard
TRAILER
ELIUM
DOCUMENTATION
AUDIO&VIDEO
︎︎︎ on request
Three artists, three disciplines: by combining music, movement and speech, they create a contemporary ritual. A ritual that takes into account both the present and the eternal, that crosses both the ecstatic and the contemplative. A ritual that goes beyond the profane and carries us away. In this cohabitation, the large intertwines with the small, the abstract with the concrete, the opposite with the self. And from these impulses, a force is born that makes us vibrate.
In partnership with the Museum of Art and History Fribourg
Supported by Etat de Fribourg, Loterie Romande, Agglomération de Fribourg
︎︎︎ Libre sous des ciels lourds
création originale
durée 50 minutes
September 14, 2024
Nouveau Monde, Fribourg
DA & IDEE ORIGINALE
TEXTES & LECTURE
Jon Monnard
MUSIQUE ET SOUND DESIGN
Fiona Rody
VIDEO 3d
Paul Nouvelhomme et Foxv.xv
MISE EN SCENE
Manon Krüttli
COORDINATION
Naya Comazzi
SOUND ENGINEERING
Frank Bongni
LIGHT & SCENOGRAPHY
Simon Lambelet
DOCUMENTATION
Adrien Pilet
DOCUMENTATION
AUDIO&VIDEO
︎︎︎ on request
Une mue. C’est ce que traverse le narrateur de ce texte, individu isolé, coincé entre les monstres dans sa tête et ceux qui sévissent à l’extérieur. Debout face à la nuit, il part affronter ses peurs dans la Vieille Tour au loin qui, ce soir-là, s’allume encore d’une étrange lumière rouge. Libre sous des ciels lourds est un monologue hybride né de l’incendie: celui d’un monde en feu qui se crie depuis l’intérieur. Un rêve d’espoir, émaillé d’éléments d’horreur, où les véritables monstres ne sont pas ceux que l’on croit.
L’écrivain et artiste Jon Monnard propose la lecture d’un texte contemporain à l’écriture visuelle où le fantastique cohabite avec un réel tout aussi effrayant. Une lecture en dialogue avec les sonorités électroniques composées par l’artiste Noria Lilt.
Supported by Etat de Fribourg, Loterie Romande.
CONCEPT
Philipp Cron
MUSIC
Belia Winnewisser
Goffbaby
Noria Lilt
Till Hillbrecht
SCENOGRAPHY
INSTALLATION
LIGHT DESIGN
Thomas Giger
FLYER
Martin Cramatte
DOCUMENTATION
VIDEO
︎︎︎ watch here
AUDIO
︎︎︎ on request
The Landesplattenberg is a former slate mine near the village of Engi (Glarus). The mine was first mentioned in a document in 1565 and was in operation until 1961. Nowadays, guided tours are offered, however a comprehensive artistic presentation of this vast mine has not yet taken place.
Through the interplay between sound, the natural environment of the mountain's core and the scenography created by Thomas Giger, the visitors will have the opportunity to enjoy this unique experience. Featuring four new works commissioned and composed especially for the Landesplattenberg by the artists Belia Winnewisser, Goffbaby, Noria Lilt and Till Hillbrecht.
Their compositions are based on the Glarus Zither. The traditional Glarus instrument, which is still played exclusively by women, and have no standardized string tuning. The instruments started to be built by female players themselves in the early 19th century. Thus the different zither groups each have their own instrument tunings.
For "Schichten/Layers" each of the four composers also develops their own tuning: each one of them creates a new piece of about 20 minutes in tuning of their own choice - all tones together form a four-part harmony. The composers are free in the musical realization of the pitch: their works must be limited to only one pitch, which they determine themselves. The four-part harmony is layered individually: Composer A defines a tone; this is passed on to composer B, who layers a tone on top of it. This tone is passed on to composer C, and so on. In this way, the four composers build their own zither. The music plays simultaneously in loops at specific locations on the Landesplattenberg. Once the sound undulations are released, they put the mountain under an enchantment that will add layers to this magical place that were once removed by hard manual labor.
With the additional support of Kanton Zürich Fachstelle Kultur, Landis & Gyr Stiftung
︎︎︎ Mixes
OUTSIDERS: Kiosk Radio
︎︎︎ invited by Proxima
February 25, 2023
︎︎︎︎ stream
RHYTHMIC CULTURE 133
︎︎︎ October 17, 2023
︎︎︎︎ stream
DREAMSONIC on TRNSTN RADIO
︎︎︎ invited by pasci
February 25, 2023
︎︎︎︎ stream
DUSK
︎︎︎ February, 2023
︎︎︎︎ stream
RINSE FM
︎︎︎ invited by carin kelly
October 20, 2022
︎︎︎︎ stream
EOS RADIO
︎︎︎ invited by Jenny Cara
April 1, 2022
︎︎︎︎ stream
BREAK WELL
December, 2021
︎︎︎︎ stream
︎︎︎︎ merch
MA3AZEF
︎︎︎ invited by Atrice
September 30, 2021
︎︎︎︎ stream
NOODS
The People’s Avant-Garde
︎︎︎ invited by New Work City
March 28, 2020
︎︎︎︎ stream